THESE PDF COPIES ARE FREE COURTESY LIGHTING ESSENTIALS AND THE TALENTED PHOTOGRAPHERS FEATURED INSIDE.
Blending Strobe and Daylight for a Natural Look
This shot of Briana was taken at the New York City workshop and uses a method of flash and ambient controlled to look somewhat natural. Blending the two for portraiture can be very attractive and give the image a more natural look. We used the ambient light from...
Sometimes The Location is Not As Good As Promised.
We were walking up to the Hudson River and the light was glaring, too hazy to make out much and with little natural fill. The surroundings offered little in the way of background or texture and overall it was a disaster of a place to shoot at that moment in time....
Direct Sunlight Portraiture for Dramatic Effect
There is something beautiful about sunlight. It has a feeling that is so warm and natural and it can make people seem to almost glow. I love it so when I saw it happening in a studio in Detroit, I knew I wanted to take advantage of it. Briana had been posing for some...
Subtractive Lighting: Creating Drama with Contrast
There are times when you want to create more contrast in an image... mitigate the reflections or make sure that the shadows are as deep as possible. These situations can occur with natural lighting, but in the studio you may have to add a bit more to the shot to...
Scenes From a Workshop: Detroit, April 6, 2008
The Detroit workshop was a smashing success. The students all had a great time, we had wonderful models who worked really hard to make the images special, even braving cold wind to do it. Lynne's studio is a really smart little place in downtown Pontiac, and she...
One Flash and One Fill Card on Location
Getting really nice, soft light on location can be a challenge. Too often photographers use their naked flashes for fill and end up with something more harsh than they expected. Using a flash to fill in ambient light can be far more subtle and rewarding. For this shot...
Welcome to April: A March Review
March was a tough month for us as we moved the site from a traditional web site to a WordPress backend. We are starting to feel pretty good about it. It meant a loss of visitors for a few days and we lost our statistics for 4 days, but it is obvious we have reached...
Shooting Earrings Without a Net: Guest Post by Josh Targownik
On a recent popular forum post, Los Angeles photographer Joshua Targownik posed a challenge. Faced with the following job he wanted to figure the best and fastest way to get the job done. He also wanted to get some killer lighting on the product to make it really pop....
One Light Setup with Two Versions of the Light
Yesterday I shot Jordan for her mom's Irish Step Dancing Wig catalog. Today we got together for some pics just for her. This was the first time she had shot without a wig on... so it was a lot of fun. I have known Jordan since she was about 9, so it was also fun to...
One Light Portrait with White Background
One of my clients is a wig importer for Irish Step Dancers. There's a niche for you. I shoot a couple of times a year for her. In this case we are shooting some styles she wanted to update before setting up her online store (another of my projects...) and we used her...
Two Light Workshop One, Part Four
Our last shot in the hat series. This was a shot that used one light for a background and the other for a dramatic front light. The two lights we used in this set are a Norman Beauty Dish and a silver/white Zebra umbrella. The beauty dish was used as a background. I...
Classic Setup for Photographing Jewelry
Classic, for me anyway, method that I shoot jewelry. Most of the time my clients want clean, easy to see pieces that show off the finish or the stones. I find that large soft light with lots of fill works to deliver the smooth highlights and well lit jewels. You can...
Single Umbrella Headshot and White Background.
Asked to shoot 40 non-models at an upscale salon was quite a challenge. I needed a light that would serve many different faces and body types. I would literally have only a few minutes with each and they would be nervous so working the light in many different ways was...
Two Light Workshop One, Part Three
This shot was something Briana wanted to do. We have tried to shoot the fedora many times and never gotten around to it. This time we wanted to make a go of it. She wore faded, ripped jeans, a black top, black hat and black gloves. With the red lips it was really...
Getting A White Background with Speedlights
Using your small camera flash for professional results is entirely possible and a fantastic option for those who travel a lot or want quick setup/teardown times. Today's modern flash units give out a lot of power and they are easily adapted to working with a...
Two Light Workshop One, Part Two
The Two Light Workshop rolls on with this cowboy hat look on "Miss Briana." We shot some with a western shirt and some with bare shoulders... both are represented here. One of the things I wanted to do was to create a bright light on her face and a quick dropoff. I...
Two Light Workshop One, Part One
This is a series of two light shots we did using hats as the theme, and a clean, simple studio background as the setting. For this set of shots we only used one umbrella and one beauty dish. There will be instructions on how to do this with your equipment as well. I...
Creating a Shiny Look
The thing about the corset was the glossy, shiny look. I wanted that shine to be smooth and liquid, a wide and smooth highlight that would set off the face of the model and the textures of the rest of the image. I wanted a dramatic light on the face however, so using...
Single Small Strobe Portrait Directly Into the Sun
This shot of Megan was done for my portrait book. Megan is a Doctor and an accomplished photographer. I wanted a portrait that would be different than some sort of modeling or professional headshot. This location is near the studio and off the beaten path. It is along...
Creating a Mood with Flash and Photoshop
Sometimes you find a location or a situation that you just know that you can do more with by creating the world the way you want it. In this case, the alley was ok, but it didn't get me excited. I saw the shot in my mind with the post process in place. In other words,...
Announcing the Portland, Maine Workshop
I am very excited to announce that we are doing a workshop in Portland, Maine on Wednesday, June 18, 2008. It will be a full day workshop with models, lunch and lots and lots of lighting and shooting. There will be a pre-workshop meetup on Tuesday, June 17th. I am...
A Quick Look at Balancing Flash at Sunset, Quickly
This shot presented itself after a harrowing drive through the Santa Barbra area to get to the beach before the sun went down. (I am not advocating driving like a madman, but... I'm just sayin... we had no time.) When we arrived, the sun had already dipped and we had...
Audio Interview with Ken Epstein
Here is a discussion with Ken Epstein on web sites, Web 2.0 sites, and how he keeps really busy at his Phoenix Studio. You can visit Ken's website here. We haven't launched his new site yet, but you can see what he does here. Ken is a busy commercial shooter in a...
Versatile Softlight for Portraits
Sometimes you need a simple, easy and quick way to create soft, pretty light for portraits - especially if there is a large group of portraits that are going to be presented in a similar fashion. Whether staff or employee photos, pageant and events, or simply a family...
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