THESE PDF COPIES ARE FREE COURTESY LIGHTING ESSENTIALS AND THE TALENTED PHOTOGRAPHERS FEATURED INSIDE.
Finding and Keeping Commercial Photography Clients: Part Four, Staying Connected
(NOTE) If you are just coming into this series, I highly suggest you start at Part One, and then do Part Two and Part Three before starting Part Four. Links for all of them are inside the protected area, and you can access them easily. A brilliant portfolio won't get...
Irene Liebler and Sandy Connolly: Starting the Journey
Irene Liebler was one of the Project 52 members from a few years ago. She did the course twice, I believe and rarely missed an assignment. She also rarely did an image that we were not blown away by. Irene is a consummate artist, and a painstaking perfectionist when...
Finding Commercial Photography Clients: Part Three; Getting Personal
(NOTE) If you are just coming into this series, I highly suggest you start at Part One, and then do Part Two before starting Part Three. Links for all of them are inside the protected area, and you can access them easily. So far we have been working on our portfolios,...
Finding Commercial Photography Clients: Part Two
"How do I find clients?" One of the most asked questions I get when chatting with photographers is where can they find clients. It is one of the questions I ask when reviewing a portfolio; "OK, these are nice shots. Who do you know who will pay you for this kind of...
Finding Commercial Photography Clients: Pt. One – Portfolio
https://www.youtube.com/watch?v=c7rj_D9t-kw Image Uses PDF Image Audit Tool PDF Ad Image Assessment PDF Finding and Keeping Clients Part One PDF Build a Solid Client List Finding and Keeping Commercial Photography Clients NOTE: This is a course for emerging...
Inspired by Skrebneski
The first set of images from the 8 Week Portrait Class came in last evening and they are really good. The class takes a close look at 8 major portrait photographers by analyzing what they do, how they accomplished their imagery and what the thought process was behind...
“Light Conversation” Volume Three
https://youtu.be/tv2EBtW5YLY Our next Light Conversations will be Monday, May 25. Join us.
“The Sprinklers” (A Mother’s Day Essay)
(My daughter, Alissa, wrote this Friday for one of her final assignments. It fits in nicely for mother's day.) Sprinklers My mom used to tell my sisters and me that if we ran through the sprinklers we would feel like different people. We could do anything, be...
Portrait Class Members Discuss the Workshop
"Imitate. Assimilate. Innovate." - Clark Terry, Jazz trumpet genius. This portrait class (and the companion 102 class) have been huge successes. The students are fired up and some are saying they are making the best images of their lives. We look closely at the work...
24 Frames In May
Begins today. It's a non-contest, and just for fun. Not many rules, but a few guidelines: This is for film cameras only. Black and White or Color is fine, and there are no restrictions on the type of film you shoot. Polaroid is OK. 4×5 or sheet film cameras are OK....
New Photography Books
From Amazon. I love Photography Books, and have a wall of them waiting for me when I have some quiet time and simply want to stimulate my brain. From early works of Steichen and Cunningham to books by Demarchelier and Watson, the photography book is one of my great...
Light Conversation, Volume 2
A new bi-weekly, Lighting Essentials program. I call it "Light Conversation" and we discuss all things photography. Our next discussion will be Monday, May 11. Open to all LE readers. https://youtu.be/_O4uR0bU04Y Some links from this discussion: Canon white balance...
Two New Online Workshops
Project 52 Project: Incredible Egg (Shot to Layout)
The layout was furnished and the photographers had to shoot to a fixed set of parameters. Size and position of the type could not change. [gallery link="file"...
Nicole Fernley: Cookbook Project
Project 52 members sharing recent work. Nicole Fernley: "These four images come from a larger selection of images that I recently shot for The Cheese Lover’s Cookbook, so the common thread is, of course, cheese. The cookbook author made most of the food, and we worked...
David Price: Illustrated Proverbs
David Price: "This project grew out of some recent discussions about drawing inspiration from anyone, anything, and everything around you. I admit, I drew a lot of inspiration for this idea from Irene Liebler’s series she did across last year of Common and Idiomatic...
Learning from the work of Ritts, Lindbergh and Moon; Hiram Chee
Hiram Chee, one of the longest running members of Project 52, shares a post of portraits he did during the 8 Week Portrait Class. Learning from the work of Herb Ritts, Peter Lindbergh and Sarah Moon Check it out for some wonderful portrait work.
Anders Eriksson: “Cars and Drivers”
Anders Eriksson: Anders Eriksson
From the Early Days of Color Photography
The year was 1913. I absolutely love these images. From composition through framing and of course the patina, they are simply lovely. "Mervyn O'Gorman was 42 when he took these pictures of his daughter, Christina O'Gorman at Lulworth Cove, in the English county of...
Carol Rioux “Revealing a Portrait”
Carol Rioux: "I chose to make a series of portraits of a single person. I chose this project because I am very interested in everything that constitutes a person as it is important to me to capture who a person is not just a pretty picture. I photographed parts of...
Jay Chatzkel: “The Neighborhood”
Project 52 members share recent projects. Jay Chatzkel: A Day in the Life of the Neighborhood (PDF) Jay Chatzkel
Anna Gunn “Dreams in a Suitcase”
Project 52 Member shares recent work. Anna Gunn: "Concept: a girl who carries her dreams in a suitcase. These dreams aren’t plans, or in any way constructive – they are merely a distraction from the beautiful, fleeting moments that life places in front of her. Yet...
Read more“I have always been more interested in the power of what a good photograph or film can do – not who created it and what box that creator fits into. I’m interested in the story one has to tell. We are visual communicators and we are all unique but only if we listen to our own voice and create from that voice. Whenever I have trusted and listened to my internal voice and created from my own unique perspective and my life’s experiences, I have been “on purpose” and my work has resonated across genders, race and age. I suppose I could copy or mimic the “style du jour” whether it is HDR or photographing hipsters with tattoos and attempt to be someone I’m not. I don’t have the desire to do that because that is not why I became a photographer or filmmaker. That’s not to say that I don’t like and appreciate photographers who are following these styles but it’s not me and creativity doesn’t come from mimicking others. I’ve seen a lot of styles and techniques over the decades I’ve been in the photo business. They come and they go – just like the photographers who chase after the latest trend.”
“Labels, Finger Pointing, Fear, and the Real Value of Photography”
"I have always been more interested in the power of what a good photograph or film can do – not who created it and what box that creator fits into. I’m interested in the story one has to tell. We are visual communicators and we are all unique but only if we listen to...
Catherine Vibert: Environmental Portraits
Project 52 Members share some of their recent project work over the next five posts. Catherine Vibert: "Environmental Portraits & Personal Branding. Through the course of the year of the Project 52, I found that my favorite subject to shoot is people. I especially...