YOURS FREE WHEN YOU SUBSCRIBE
Lot’s of lighting tutorials with charts, graphics, ideas, examples, and deconstructed images to help you find your own vision using lighting.
Yours free when you subscribe to “In The Frame”.
Also included is the introductory course in finding clients in your area. This course is 2.5 hours long and it will show you how to find clients in your town or city. Even if you are in a rural area, this course will help you find real paying diets.
In The Frame is delivered once or twice a week, with our flagship publication on Sunday. These are full of real information, image deconstructions, links to photographers you should know, and discussions of gear that doesn’t happen in most other publications.
Go on and grab your free lighting book – only available to subscribers of the newsletter – and make some wonderful images.
(Subscriptions are found in the popups or you can visit this page for more info.)

6 New Books I Have Ordered
From Amazon: "W magazine is renowned for its avant-garde fashion stories, those elaborate confections of magic and mystery that have inspired and captivated readers for more than two decades. This volume gathers 10 of the most remarkable stories, each in its entirety,...
Portraits Inspired by Victor Skrebneski
In the 8 week portrait class we looked at the work of famed Chicago photographer Victor Skrebneski. The students were asked to make a photograph inspired by what they saw in Skrebneski's work. Not to copy it, but to be inspired by it. Here are the remarkable expamples...
Distraction, Discontent and Distruption (Part One)
Distractions, Discontent, and Disruption The three “D’s” of the new daily discomforts. Wait, is that a fourth? We are constantly being distracted from our work, made to feel discontent at every turn and facing disruption in our business like never before....
Trends to Watch in 2015
Trends I am noticing: Social Media Thinning. Photographers are becoming more selective in where and how they spend their time in social media. This is a good thing. Not every SM platform is right for you and what you do.Facebook may be find for consumer shooters, but...
Providing Cover – Keeping Clients
Finding someone to “cover” for you on a photography assignment can be tricky business. Not just for your client, but for you AND the person who you hire to do the shoot in your place. Look, stuff happens. We all get sick or a relative passes away or there is emergency...
Thinning Down, Weeding Out… Hopefully
Gettin’ Skinny and Lovin’ It I bet you're wondering if this will be about a new diet program, and how I am slimming down and getting to be a lean mean fighting machine. And it is… sorta. It’s a diet of all things photography. I am moved out of the big studio I share...
Industrial Assignment: Project 52 Pros
One of the most under-rated and least mentioned genre of commercial photography is Industrial/Corporate. It isn't sexy, and models don't flock to the studio after hours. The travel is usually not to some awesome resort or fancy hotel, but rather to out of the way...
Photographing Mundane Subjects
I have always been a ‘commercial’ photographer. While that included some wonderful editorial and fashion along the way, the bulk of my income was from good old commercial photography. Photographs made for advertisements, brochures, product sheets, illustrative uses...
The Summer 2013 Project 52 Yearbook (Free Download)
Proud to announce the arrival of the Summer 2013 Project 52 Pro Yearbook. If you would like to purchase a hard copy, it is available at cost at Blurb. PROJECT 52 PROS SUMMER 2013 YEARBOOKbyDon Giannatti | Make Your Own Book If you would like to download a free screen...
What If The Problem Is That You Suck?
Photo of the author by Mike Eller Even More Advice for the Aspiring Professional Photographer. These days a lot of people seem to be offering advice in the area of becoming a full time professional photographer. Some of those folks like Greg Heisler, Jay Meisel, Gail...
Are We Clear About What We Do as Photographers?
Are We? Two things recently formed today’s article. One was a note from a commercial shooter who was being setup to fail, and the other from a consumer shooter angry that the client kept wanting more and more retouching… and feeling trapped that it must be done. To...