A Personal Branding Lifestyle Portrait of a Musician

(2019 Summer School)

Personal branding lifestyle shoot for a musician – the complete process from start to finish

by Alex Baker, Spain

I was asked recently by a friend and long standing client to collaborate on creating a series of curated lifestyle images for her personal brand. She is a Yamaha sponsored artist and professional cellist and singer, and her band has enjoyed rising success over the last couple of years. Now she has reached a point where the record label is changing the focus from her band to herself, so the time was perfect for creating a more relaxed behind the scenes style that she can use on her social media feeds as she always struggles to find content.

The first thing then was to sit down and have a meeting with her about the direction she was going in, what kind of style she was after and how we would do the shoot. We decided on a loose story along the lines of a ‘day in the life’, although it would be condensed into just an afternoon/evening. I thought people might find it interesting to see some of the practice and song writing process that is the majority of her day to day life, along with some shots walking around the old town of Valencia near where she lives. I wanted some sunset shots on her roof terrace so we worked backwards from the time of sunset (9:30pm) to figure out when to start.

I created a pinterest board of ideas and shot list (see image) so that I could plan roughly what we wanted and in what order. We would start in her apartment with some shots of her getting ready, then some of her practicing both her acoustic and electric cellos, taking a break, writing songs etc. The key was to produce a variety of images from a very simple set up using largely available light or one strobe/reflector. I’ve been to her apartment several times before so could already visualize roughly where we would shoot and what the light was like. My client works regularly with a stylist in Paris and took care of her own hair, makeup and wardrobe.

On the day of the shoot I arrived and set up. I had 3 lenses available to use: 35mm, 50mm and a new 105mm that I’m still experimenting with. The apartment is on the top floor with many windows and a largely white interior so light wasn’t going to be an issue. I decided where to shoot and we cleared away a few personal items to clean things up a little in the background, while still keeping the look quite homely. I then directed her to play various things on the instrument or to look in certain directions to get the shots I wanted that showed a variety of expressions.

Although I usually make a shot list in advance I usually just memorize it and I only ever check items off the list if it’s for a strict brief or for a video shoot – this one was much more relaxed so I could concentrate on creating the images and having fun experimenting. After we had finished inside, my client changed wardrobe and we headed outside to a local bar where we were shooting next. On the way we found an 18th century building with peeling paint texture and wonderful light. So of course we had to stop and get some shots there because how often do you find a wall the exact same color as your jacket?! I find not sticking exactly to a shot list also allows me to keep my eyes open for serendipitous moments along the way that I might not have thought of. After this we got some shots in a couple of local bars to show the relaxed Spanish cafe-culture. We then headed back to the roof terrace for another outfit change and the sunset.

One of the hardest things I find about photographing people is predicting which images they are going to like. I definitely have my clear favorites but those don’t always correlate with what the client likes best, particularly with performers who are used to seeing images of themselves. So over time I have learnt to weed out the truly horrific ones and then just show them the majority and let them choose. It’s time consuming but I’m happy to relinquish this control and privately show them unedited raw images, especially as musicians and actors generally have quite realistic attitudes about what they look like and what I can do in post to enhance their choices. I explain that we are looking for mood and expression at this point.

After the client chose the images I edited them with complete creative freedom to do as I pleased (see video). Generally I set basic exposure adjustments in ACR then bring the image into photoshop for skin retouching and color grading. Lately I’ve been enjoying using Pratik Naik’s Infinite Color Panel plugin for creating color grades rapidly that I can then apply to a whole series (I’m not affiliated, I just like it!). And that’s it, a personal branding shoot from start to finish that my client can use across multiple social media platforms in the coming months.

A STUDY IN MINIATURE (2019 SUMMER SCHOOL)

A STUDY IN MINIATURE (2019 SUMMER SCHOOL)

HOW I MAKE THE MINI ME IMAGES BY TAMMY BOGESTRAND The start is usually simply an image or idea that forms in my twisted brain. I should really sketch my ideas, but I never do. I do these totally alone and I don’t have a green screen. Shooting in full sun is never...

COLORADO FALL COLOR ROADTRIP WORKSHOP

TWO INSTRUCTORS / FIVE STUDENTS / 6 DAYS / INCREDIBLE OPPORTUNITY

SEPTEMBER 9, 2019 THROUGH OCTOBER 4, 2019

See this page for more information